Logiciel nikon camera control pro 2 free

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

Camera Control Pro 2 software enables remote control of the settings on most Nikon cameras. Connection between the computer and camera may be via USB cable, or through wired or wireless LAN using a wireless transmitter. Advanced camera features are supported including LiveView, Picture Control system and the Viewer, which collectively enable the preview and selection of images prior to transfer to a computer.

It also supports workflows from Nikon’s exclusive photofinishing and browser software. Remote control of most Nikon digital SLR settings, including exposure mode, shutter speed and aperture, from a computer. Operation by wired and wireless LAN when using a wireless transmitter. Direct transfer of images from a camera to a computer and workflow management of all procedures from shooting to saving images. Enhanced Viewer function enables thumbnail display of images stored on a computer.

Images on a camera buffer can be confirmed or deleted logiciel nikon camera control pro 2 free thumbnail http://replace.me/38280.txt preview display on a computer prior to transfer. Supports LiveView modes Hand-held and Tripod where the camera sensor is used to provide a real-time preview through the objective lens. In Tripod mode, remote selection of the desired autofocus point is possible.

Supports the Picture Control system which allows image parameters to be selected and adjusted on a computer, and custom curves tone compensation data to be created and saved back to the camera. Something went wrong. Please try again in a few minutes. Camera Control Pro 2 – Full version Digital download. Product variations. Compatible With. Learn more about the D Archived. Learn more about the D4S Archived. Learn more about the DE Archived.

Learn more about the D4 Archived. Learn more about the D90 Archived. Learn more about the D3 Archived. Learn more about the D3X Archived. Learn more about the DS Archived. Learn more about перейти Logiciel nikon camera control pro 2 free Archived. Learn more about the D60 Archived. Learn more about the ViewNX. Product Forum. ForumError ProductDetail.

 
 

Our Members | Institute Of Infectious Disease and Molecular Medicine.Nikon Camera Control Pro 2 | Tethering Software for DSLR Cameras

 

So, while the liquid might freeze, it will not damage the heat pipe. Soon after powering the camera, the liquid will thaw. You should assume the camera will consume watts. This assumes that you are not using a viewfinder with the camera, but that it has a CineMag and full memory. We’ve been able to achieve these rates of speed without the use of such technology. Lexar x and GB cards have been tested and verified. Additional cards will be verified and added to our compatibility list.

CFast 2. We are working on a solution that supports 12V v-Lock or Gold-mount batteries. It will not recognize the camera model properly. There are only a few changes, but they are important. This makes the camera more compatible with harsh environments and outdoor applications. Adding this shutter leads to the next difference: the shock rating with the shutter is now 30Gs which is lower than the shock spec on the older R-Series.

Without the shutter, the shock rating is Gs. The camera retains the highly rugged metal body along with CineFlash system compatibility and battery operation. This means longer record times can be achieved on the Flex.

Color processing: The Phantom Miro S supports the new Phantom PH16 protocol, which means improved white balance and color processing controls. Power and additional monitoring: The Flex features a separate viewfinder port and 2x auxiliary power ports, which the Phantom Miro S does not have. The Phantom Miro S does however have a built in battery port for use with common Sony camcorder batteries.

Please watch this short tutorial video on the correct way to install the battery. Batteries that are larger and heavier than the BPU can damage the battery terminals and should not be used. When using a power supply, the battery acts as a battery backup. Note: the battery does not charge when installed in the camera. A battery can be installed without the camera booting up.

This is useful for when a user intends to power up the camera remotely, and maintain the battery backup feature. In the OFF position, the camera is off. The input power spec is VDC. If the power input to the camera drops below 16VDC and a battery is connected to the camera, the camera will begin to draw power from the battery if the camera is in ON or AUTO mode. This is a data protection safety feature. Miro and and Miro LAB camera models do not have a video output of any kind.

The camera shows the whole image filling the screen by default; this is most useful when framing a shot. A pixel-for-pixel zoom is available that center-crops the image and is useful for focusing. No, you cannot record directly to the CineFlash. This allows 3 rd party solutions that can read Cine raw files to see the file directly from the CineFlash.

Once installed, the CineFlash will automatically be mounted when inserted into the dock. The CineFlash is less tolerant of being removed from the dock disconnected from the computer than a typical USB drive. This ensures that all data is written and flushed to the disk before removing the drive. No, you must power the CineFlash Dock using the included power supply. Once selected, you can play that cine in PCC, trim it, adjust it and save it over Ethernet to the computer.

Yes using PCC. Files downloaded via the camera body using PCC will typically be slower due to the Ethernet connection. So, a 4GB file will take about one minute. A 6GB file will take a little over 1. A 12GB file, about 3 minutes. Of course, this depends a lot upon camera usage—frame rates, cycle time between shots, etc. We will continue to characterize this and update the FAQ as we gather more data from different cameras in different applications.

These run-times were determined without the EOS lens mount. We expect that using the adjustment features of the EOS mount aperture and focus will decrease battery run time. There is a battery capacity indicator on the battery you push a button and some LEDs tell you the approximate charge remaining. This does not give you run time directly, but some indication of the battery state. No, the camera does not charge a connected battery. The battery must be charged using the external charger.

The LED indicators provide you with a visual representation of the camera’s operational state, and communication status. The Power LED, located between the Capture and Power connectors on the right-hand side of the camera’s rear panel near the center, provides a visual indication of camera power status and firmware integrity. If power is being supplied to the camera, and this LED is not lit, it indicates an error has occurred in the camera firmware.

If this happens, it is best to reboot the camera to correct the error. By factory default, the camera is placed into the Preview – Waiting for Pre-trigger mode when the camera is powered on, unless it has otherwise been user-configured to start in the Recording waiting for trigger capture mode.

Upon detection of a trigger signal, the camera is instructed to stop writing to the cameras internal memory buffer, once the number of specified Post Trigger frames has been reached, and the camera will be placed into the Preview mode.

If the camera has been configured to automatically save the images to Flash the camera will, at this point write the images stored in the cameras DRAM to the Flash module.

User intervention is required to either save the cine to an external drive, or to put the camera back into the capture mode from the Setup and Recording screen. Do not remove the CineFlash during this process. Yes, but some signals are different. On , , and models you can achieve x or roughly a x resolution. On the v and v, CAR is x This means that the camera will always acquire images at integer multiples of for the horizontal resolution and 16 for the vertical resolution.

If you need a final cine that has a non-native resolution, you can use the crop or scale features of PCC to get exactly what you need. If you can estimate the typical daily usage of the CineFlash, it is easy to estimate its expected lifetime.

CineFlash lifetime is determined by the number of times you write to a specific memory location. The hardware in the CineFlash will automatically ensure that all memory cells are used equally across the CineFlash lifetime. There is one main difference between the two Miro LC versions. The newer LCxx1 camera models use a 4. They are similar, but the newer screens incorporate newer technology that will provide improved touch accuracy and better handheld performance.

The other difference is the lack of physical buttons on the LCD window — one button was used to re-set the menu, which is no longer needed with the newer screens. Just tap the center of the screen to bring up the menu.

This functionality still exists by using two fingers to expand the display off the screen and two fingers to bring the display back onto the side LCD screen. The native resolution of the Miro LC xx0 touchscreen is x pixels.

Miro LCxx1 model screens are a bit larger at 4. Advantages of the capacitive screen include better sensitivity and accuracy of the human touch, and also better image rendition of the screen. Disadvantages include the inability to wear gloves or use other devices like a stylus to control the camera.

The touchscreen works best when the person controlling it is also touching the casing around or in back of the screen, or a metallic surface on the camera body. Some people will naturally draw more current than others when using a capacitive touchscreen, so the severity of this potential issue can differ between person to person.

If you find this to be an issue, we recommend always holding the back or edge of the screen while controlling it, or touch any metallic surface on the camera with either hand. The newer LCxx1 models will be easier to use on battery power than the previous LCxx0 camera models due to the newer screen technology. LCxx0 models have physical buttons on the side of the screen – the one marked with a square icon turns the menu display on and off.

When turning the menu off the screen automatically resets. A good way to force the re-set is to double click that square button. The reset will take seconds before you can access the controls again. LCxx1 models do not have this physical re-set button because response issues are not expected.

If you find issues with this, please contact the Vision Research support department. The screen only responds to a human touch. The screen has a glossy surface with sufficient brightness to work OK in bright sunlight. A handy feature on all LC cameras is threshold mode. Tap the top button on the front of the camera autoset to cycle through threshold, zoom, and live video tools. Threshold mode makes it easy to see the sections of the image that are overexposed.

There are two ways to view and save stored Cine files from CineFlash drives. The camera can be connected to Phantom PCC software via an Ethernet connection, or the drive can be mounted outside the camera via a CineFlash Dock where files can be viewed and saved over an eSata connection, from PC or Mac operating systems.

This means that cine, in internal DRAM, has not yet been saved and will be lost if erased or if power is lost. Once the cine is saved to CineFlash, the asterisk will disappear. If you double tap on any cine in the cine list display, all cines with the same save state will be selected. This way you can save all unsaved cines, or delete all saved cines.

If you need to cancel your in- or out-point setting, just long-press on the mark-in or mark-out button. There is currently no “scrub” gesture, but subsequent presses on the play or rewind controls will increase the playback speed allowing you to do a fast-forward or fast-reverse playback. The LCD screen on the side of the camera uses slightly more power, therefore battery life is slightly diminished. When selecting the trigger point using frames, you set the number of post-trigger frames.

To be consistent with this, when using percent, you set the percentage of frames you want to be post-trigger, rather than pre-trigger. We include an Ethernet cable and a BNC cable with the camera, just to get you started. But any Ethernet or BNC cable will work. Unfortunately, no. The connector is different, to keep it small enough to fit on the C Yes, with a converter. The Miro C has many of the design features as the C, and it is made to be rather tough.

However, it is not specified as a Hi-G camera, and cannot survive the same shocks and vibrations that the C can survive. The C is not designed to work with a Miro Junction Box, and has different connectors. Just make sure you cover the lens before clicking the CSR button. The cameras draw only 12W during operation. The difference is in the connections. The Miro CJ must be operated through a system cable to the Miro Junction Box and does not have a separate power connector.

It is the perfect, lowest cost solution for a system of multiple connected cameras. The Miro C has the same 3 connectors as other Miros. It can be powered and operated independently, or, with a Miro C Capture cable, it can also connect to the Miro Junction Box. Trigger Video through DIN 1. The cameras draw 18W while the batteries are charging. Otherwise, they draw only 12W during operation. There are two important differences.

The has a 4 Mpx sensor with a resolution of x The has a 2Mpx sensor with a resolution of x Secondly, the has no video output from the camera. You must use PCC or 3rd party camera control software to view images live or recorded. For this reason, the camera is usually used in tethered applications under computer control, often in 3rd party solutions for PIV or DIC. Other than these two differences, the cameras are identical. The has a 4 Mpx sensor with a resolution of x The S has a 2Mpx sensor with a resolution of x Secondly, the M has no video output from the camera.

You must use images that are sent over the Gb Ethernet port to software hosted on a computer for framing, focusing and viewing playback. The RCU would not make a good controller for these cameras. The reason is the lack of video output from the camera to the RCU would mean you were “flying blind”. You would not be able to see the live image on the RCU screen to frame and focus your shot, for example.

Also, in an office-like environment, there is good assurance of reliable AC power, so we have eliminated the battery backup feature on the LAB-Series. Finally, since the camera is always used in a computer-tethered workflow, there is no need for a video monitor or remote control access. Otherwise, it inherits all the features and proven design of the Miro Family of cameras. There are four BNC connectors on the camera that provide programmable signaling:. It is called “Aux 1” in PCC.

It is called “Aux 2” in PCC. Also, there is no analog or digital video output. A kit containing these items is available as are individual items as needed. We have feedback from customers about the need for a 1 megapixel camera with smaller pixels than the 20 micron pixels on the LAB Smaller pixels have advantages in some applications. The LAB3a10, in fact, is a 1. The square aspect ratio is also an advantage in many imaging applications. Now, you can choose whichever 1 Mpx camera best meets your needs.

Your sales representative can give you more details about the advantages and disadvantages of large versus small pixels. Sensor coverage will only be a consideration if you have a C-mount on the camera. These new features can be enabled with a free firmware and software upgrade, which is available on our website.

Visit the Support section of this website and locate the Flex4K to download the firmware and instructions. Resolution: When working with ProRes, the camera must be set to full sensor resolution x only. The files in the mag are about 2. The camera must load the files for playback, which takes about 5 seconds. This process will happen automatically each time a ProRes file is recorded into the mag or playback is initiated.

Also unique to ProRes playback are the supported video formats. Not supported are i, p modes, anamorphic settings and larger zoom settings. Vision Research chose to enable ProRes HQ as the initial format, based on the inherent quality and compression value when compared to Cine Raw files. We feel that if higher quality is required, then Cine RAW is still an acceptable option. And lower quality formats are more likely used in addition to the Cine RAW, which are better left to be converted outside of the camera.

We will consider adding formats and resolutions at a later date. However, no guarantee or time frame can be stated at this time. Audio works at sync-sound frame rates and above. Audio is enabled with the audio menu on the camera body, and levels are provided on the camera menu by scrolling right with the select knob.

The files are downloaded from PCC as uncompressed. The wav files are 48KHz at up to bit, and the camera supports re-sampling of other frequencies. Audio can be monitored from the camera live using the headphone jack on the camera body or more accurately with the AES out via the Aux2 port on the Minibob. At sync-sound frame rates matching with video rates the camera will play back the audio from the camera RAM. When not matched the camera will not provide audio playback.

Audio playback is not supported from the CineMag at this time. With the Flex4K selected, choose the appropriate CineMag memory size in order to simulate recording direct to that CineMag.

Record Time Calculator page. The most obvious difference is the pixel resolution: The original Phantom Flex aka Flex 2K , has a 2. There are many other differences, which we have tried to capture here:. These mount to the top of the camera. They mount in the side camera enclosure of the Flex4K, and are not compatible with the earlier cameras.

The pixel size is 10 microns. The Flex4K is also supermm but with a full resolution of x and with 6. The dynamic range is higher, and the overall noise level of the Flex4K is significantly lower than the Flex 2K.

Another difference is that the Flex4K has a progressive scan shutter with less than 1ms scan time , and the Flex 2K has a global shutter. Regarding color processing, the Flex4K operates from the newer Phantom protocol, which lets you set the white balance in Kelvin as opposed to RGB gains like previous Phantom cameras. Powerful image processing controls like tone curves and color matrix are also possible with the Flex4K. The Flex 2K has basic controls on the left side of the camera. The camera needs to be connected to a viewfinder or monitor to see the menu and settings change.

The Flex4K has similar controls on the left side, but on the right side there is a new full menu system that lets you control every setup and control parameter of the camera. This full menu is displayed on a built-in LCD screen. The Flex 2K has two volt power inputs. One can be used as the main AC power watt power supply , and the other can be connected to a stand battery to use as a battery backup. When using The Flex 2K has two 1.

The two outputs can work together to provide a p signal. Two of the outputs can be used together for a dual-link 4K signal. The camera can be set to continuously monitor the live feed where 2 of the outputs play back what was captured to camera RAM or the CineMag IV. It mounts in the side enclosure of the camera as opposed to the earlier CineMags, which mounts on top with a pogo-pin connection.

The camera supports:. The 2x REC outputs can be configured as individual p outputs or used together to provide a dual-link 4K video output.

Video scaling: When capturing at 4K resolution and outputting at p for example the camera will always scale the video to p. All outputs are grouped together to display the same output. Various zoom ratios can be set from the camera body to help set focus. Production area rectangles and threshold mode are also available for the VF and MON outputs to help judge framing and exposure.

At 24 FPS you can record for about 56 minutes. Visit our Record Time Calculator. The camera body weighs in at 14 lbs 6.

It is roughly the size of the original Flex. Download the Flex4K Mechanical Drawing. There are two main benefits from oversampling on the Phantom Flex camera:. Unfortunately, in the fast-paced and sometimes hectic production environment, sufficient care is not used when putting a CineMag onto a camera.

The result can be bent or broken pins on the CineMag interface. On previous cameras, this could bring the production to a halt and the camera had to be returned to Vision Research for service. On the Phantom Flex, this can be easily fixed by replacing the pin array assembly on the camera — and, it is an end-user repair.

A spare pin array assembly is included with the camera, and a damaged one can be returned to Vision Research for replacement for a nominal fee. While the new dual-fan cooling system on the Phantom Flex runs very quiet, the fans are automatically slowed down and become even quieter when shooting in HQ mode AND while recording directly to the CineMag.

This is the most likely recording scenario where synchronized sound is also recorded. At all other times in Standard mode and in loop recording the fans will run at whatever speed is required to keep the camera at a constant temperature. Typically, this will not occur except for very, very long takes. This is a feature that is critical in sports broadcast replay applications.

The camera operator can always be looking at or recording the live action, while the controllers in an OB truck for example can be viewing, saving or even airing a slow-motion playback stored in the camera. This feature, in addition to true HD resolution and great light sensitivity is what has propelled the v into the position as the most popular ultra-slow-motion broadcast camera.

HQ mode uses a proprietary technology to enhance each frame of your shot. Each frame is analyzed for noise and image artifacts that can occur under continuously changing shooting environments. Using HQ mode means that you will always get the best images possible even when changing frame rates, exposure settings, resolution, or if ambient and camera temperatures are changing.

Use this mode when you are changing camera settings often or working in an ever-changing physical environment and when you need your last shot of the day to look just as good as your first shot. However, saved cine files are the same size as in Standard Mode and recording directly to CineMag has the same speed and size specifications as Standard Mode.

If you find yourself in an application where you need very, very short exposure times, you may need to use Standard mode.

In HQ mode, the Phantom Flex uses some of the time during the frame acquisition to enhance the image for that frame. This time is not available for digital exposure. So, the exposure times in HQ mode are a bit more limited than in Standard mode.

See the FAQ on this topic for more explanation. In Standard mode you can shoot with exposure times as short as 1 microsecond. That is very close to a 0 degree shutter angle! You might need that in rare situations where you are trying to stop all motion blur and you have enough light to shoot at extremely small exposures.

The HQ mode needs time to do the frame-specific image enhancements that are key to the mode. And, it needs to do this as the frame is acquired. The time it takes for these enhancements is not available to the camera as digital exposure time.

The greater the frame rate, the less time there is for digital exposure. As you lower the frame rate, the available time increases so that at 24 fps for example , the range is 7 degrees to degrees. This will be a very rare situation. At x in HQ mode the minimum exposure will be about microseconds, generally good enough to stop motion for most applications. The Phantom software might look different based on the screen resolution of your monitor. We rearranged the software components to maximize the space for the resolution of your monitor.

Phantom PCC control and download software is designed and maintained by Vision Research and works with modern Windows operating systems. There is no native Mac control software at this time. Seance can be purchased from www. A cine file is the name we give to the Vision Research proprietary file that holds the images in the camera memory. The file can be written to a disk drive and then read and manipulated with the Vision Research Phantom Software. The file format is “lossless” meaning all of the sensor data is available without any compromise or compression.

If you save the file as cine RAW, the file contains the uninterpolated raw sensor data. If you save as just a cine file, the file contains RGB information for each pixel interpolated from the raw sensor data. Phantom Flex 2K , HD, v64X, older cameras and monochrome cameras will import but the white balance may not be correct.

Files can be opened individually, or batches of files can be processed with the batch-cine convert tool in PCC. Popular video formats are. When converting to a batch of stills, a naming convention is required.

Other naming conventions exist for different scenarios. Refer to the PCC software manual for further instructions. Navigate to the folder and hold down the Shift key or Control key to select the desired files. When converting any number of cine files to a batch of stills, a naming convention is required. The best way is to use the Quicktime plugin from Glue Tools. You can even drag cine files directly onto the FCP timeline and edit them without rendering. When you close out of the playback window the displayed image will be there, ready to be saved in a variety of formats.

MPEG 1 and 2 have been removed from the current versions of Phantom software due to licensing issues. Please note that the Miro JBox cannot accept other Phantom cameras.

Prior to introduction of the Flex4K in the Bluetooth dongle was larger and had an external antenna. Both dongles work the same, however the older one does not physically connect to the Flex4K.

Older v-Series cameras such as the v7. There is also a Bluetooth version of the BOB for wireless control. The transmission range of the Bluetooth dongle varies a lot depending on the environment. When used in a straight line without many obstructions or other wireless interference the Bluetooth range can be over meters, or feet.

However, in an environment with electronic interference and physical obstructions the range will be less, but usually still at least up to 30 meters. Phantom Miro cameras have no Remote port, and as such the Bluetooth-Dongle is not directly compatible or supported.

However, a third-party solution exists — it is manufactured by Abel Cine. Link to product:. The CineMag was created to securely and efficiently save the raw data from the camera RAM as quickly as possible. Cine Raw files are stored in a bit packed LOG format. There are officially three different types of CineMag, listed below along with a camera compatibility chart. Both versions of CineStation are available with 10Gb Ethernet for the fastest possible Cine file download.

The best portable solution we have found is using a laptop computer with Thunderbolt, and a ThunderboltGb Ethernet converter. For example, several models of the HP Z-book have Thunderbolt. Optimize the entire system for the best results. The data saved on the CineFlash are stored as Cine files, and the CineFlash dock can be used to move the data without any proprietary software once appropriate drivers are installed.

Data saved on the CineMag is saved with no file structure, and Cine files are created on download from the camera body or compatible CineStation using software. Of course, the size of the CineFlash may limit the number of files you can save. But, assuming all files are small, there is currently a software imposed limit of files that can be saved.

We are considering changing that to a higher limit. If you have a need for more than , let us know! This document will provide a step by step procedure for performing an update to the firmware in a Phantom camera. Here are several recommendations from our technicians to ensure that you have a successful firmware upgrade:.

The sync to trigger function allows temporally consistent and replicable start of acquisition frames exposures in relation to the trigger signal actuation. To best understand this feature it is worth reviewing how the frame synchronization f-sync clock pulse is used in Phantom cameras.

Download PDF. The Burst Mode Acquisition feature, designed for use in PIV Particle Imaging Velocimetry , combustion, or other applications where precise and repeatable frame acquisition is required, has been introduced on selected Phantom v-Series cameras.

A Phantom camera using the Burst Mode Acquisition feature will capture a programmable number of frames for each f-sync pulse, in both internal and external sync modes. The interval between the frames in a burst can be set independently of the sample rate frame rate. Certifies that all Vision Research cameras are produced in the U. S in accordance with the applicable manufacturing specifications, drawings, instructions, and controls.

EC Declaration of Conformity document for Phantom models:. EC Declaration of Conformity document for models:. EC Declaration of Conformity document for the Phantom v4. Download File.

AMETEK has over 11, colleagues working at more than 80 manufacturing facilities and more than sales and service centers around the world. You may download a copy of that agreement here. For more information about our Developer Program, contact support visionresearch. If you would like to submit a cine file or slow-motion video file for use on our web gallery or in our marketing, please download, complete, and send this Permission to Use document to us.

If you would rather download a Word document click here. EC Declaration of Conformity for Phantom models :. Click here to request. Provides a simple to perform that allows users to verify the system is functioning as expected before proceeding to data collection of a more complex configuration. This is a discontinued product.

Graphics cards today have a programmable processing unit that can be exploited as a general processing device, especially for image manipulations. This technical note tells you how. Each Phantom camera and certain accessories have a unique serial number which will be needed for registering your product, for getting technical support and for requesting software and firmware updates on the Vision Research website.

This document is a guide to help you find that information, based on the model and body style of your Phantom camera. Some common examples are pictured here. Did you know that you can use wildcards to create custom names for cine files with PCC?

This is especially handy if you have a batch of cine files in a camera that you want to save using your own naming conventions.

Take a look! Our popular blog series on how to boost camera sensitivity using gain and the resulting trade-offs is now available as a single Phantom Note. To learn more about how a high-speed sensor works, and how sensitivity can be manipulated, download the document here. Describes the types of memory used in Phantom cameras, what is stored in each type, and how much of it is accessible by the end user. Ensuring peak performance and maximum return on investment over the life of your equipment.

We will deliver this by:. The goal of total customer satisfaction and continuous quality improvement throughout our business is achieved using the following systems and procedures. Vision Research Customer Community Menus. Maintenance, Support and Education that delivers ultimate satisfaction and operational confidence for the user.

Other Resources. Article on Shutter Angles at Wikipedia. Basic photography tutorials. Three point lighting tutorial. Software Downloads. Frequently Asked Questions Collapse All. Phantom Miro N5 Collapse. Can the Miro N5 accept C-mount lenses?

I see the Miro N5 has a serial number. Can it be sent in for repair? CXP cable Collapse. Do I need to buy the CXP cable separately? What if the CXP cable breaks? Can I use any CXP cable, or is there a special one?

Do I need to buy a System cable to connect to the JBox? General Information Collapse. Do your products have a CE Declaration? For security reasons, I need to be sure that all high-speed images acquired by my Phantom camera are erased.

How are these images stored? And, how can I erase them? How do I get my video into your Gallery? Is there some way to be notified anytime Vision Research introduces new products, or posts software or firmware updates to the web site?

All other countries require an export license. What is the best way to clean my Phantom high-speed camera sensor and lenses? Tech Tips Cleaning must always be done in a controlled and dust-free environment. Always have clean sensor wipes handy for more serious dirt. Cotton swabs aren’t a good idea, unless they are wrapped in a micro fiber or sensor wipe material.

Cotton swabs leave behind more than they remove. NEVER blow on the sensor surface or use your finger to get a speck of dust off, it’s going to make things much worse. Always keep the Phantom Body cap on the camera when there is no lens attached. Lens cleaning Lenses gather a lot of dust as well, which can also wreak havoc on your images.

What type of training classes do you offer? On-site training is available. Is there a place where I can see all of your cameras on one page? Technical Support Collapse. Can I create a log to capture issues with my camera and controller? To create a log, perform the following steps: Start the Phantom application.

Close and restart the Phantom application. Perform the steps to create the issue in question. Exit the Phantom application. Create a C:LOG directory. Attach PhCon. The format for the file is CAM. How can I change the IP address of my camera from the default? NOTE If the control unit does not detect the camera, re-check the settings of the control unit.

How do I find the firmware versions running in my camera? I’ve installed Phantom Software and assigned the controller’s IP address and my camera won’t communicate with the controller, what’s wrong? What should I do? My image quality is not as good as it used to be. What should I do to fix the problem?

Here is how you do it: 1. Press OK 4. The controller will respond with “? The controller will respond with “Ok! The controller will respond with “OK! Close the Command Prompt window, power cycle the camera.

When contacting Technical Support, you should have the following information: 1. If you have image problems, a frame Cine would be helpful. Phantom Cameras Collapse. How do you determine the light sensitivity of your cameras? I want to use my slow motion video camera for capturing underwater events. Do you have any underwater housings available? What are the sensor dimensions for my camera? How do I clean my high speed digital camera after it was used in dusty or sandy environments?

What is the best way to clean my Phantom high-speed cameras’ sensor and lenses? They leave behind more than they remove. What is “circular buffer” or “loop” recording? Can I get a datasheet for my discontinued cameras?

Or, you can find them under the Support by Model menu selection. I need to have wireless remote control over a camera.

How can I do this? Phantom Rentals Collapse. I am looking for information on a renting a Phantom digital high speed video camera.

Who do I need to contact? Do you rent worldwide? What is your minimum and maximum rental periods? If I rent a camera from you, what all is included?

We also offer lights, tripods and other accessories. All items are shipped in a rugged case. Can you describe the cooling system for the Phantom v, v, v and v? The TE cooler is typically bonded to a heat sink cooled by an active fan-based cooling system. The v, v, v and v all have a 10Gb Ethernet interface. Tell me more about it and how to use it. Can I use a viewfinder with the v, v, v and v?

Do the v, v, v and v support the use of Canon EOS lenses with software control over aperture and focus? What signals are available on the Capture Connector on the back of the camera, and which of those are provided on the standard Capture Cable that ships with the camera?

See the related FAQ. Can I use any Vision Research power supply with the v, v, v and v? When the switch is moved to the ON position, the camera will power-up immediately provided there is power connected to the Primary DC Power port OR the Battery Backup port on the camera There are several use-cases this scheme enables: Battery backup for mission critical tests: Set the camera to AUTO.

Power through the Primary input and provide local battery backup power to the Battery Backup input. If primary power is lost, camera operation will continue and data is protected by the battery backup.

Remote power cycle: If the camera will need to have power cycled remotely, set the switch to AUTO and do not use a battery for battery backup. Battery operation: Connect a battery to the Battery Backup port. Set the switch to ON.

I see there are two power input ports. How do these work? The battery backup port will not charge a connected battery. Tell me more about the GPS port on the back of the camera. These cameras can have a lot of memory in them! How long does it take to save a shot from these cameras? Will the liquid in the heat pipes freeze and damage the heat pipes if the camera is stored or transported at temperatures below freezing?

What is the worst case power draw of the camera that I would use to calculate battery requirements? Is it true that a camera that runs this fast must be powered by either dilithium or silithium crystals?

Phantom VEO Collapse. Tell me more about the CFast workflow. When you purchase boxed products you are purchasing physical products that will be shipped to the address you specify during the checkout process.

You will select your preferred shipping method, where applicable, as you checkout. The following shipping options are available. Please note that ‘Days’ refers to ‘Business Days’.

If you have any questions, please contact Corel Customer Service at www. For Economy Ground Shipping, please allow an additional 1 – 3 delivery days to urban locations and 4 – 6 days for remote locations. It’s the photo editor that reveals your true creative potential and frees you: from high costs, from endless subscriptions, from hours spent editing at your computer.

Compare Versions PDF. User Guide PDF. Compare to Lightroom PDF. Sort, organize and view all your photos in one place, quickly and easily with flexible file management options–no importing required. Experience dramatically faster loading, selecting, editing and output with the world’s fastest RAW conversion software, featuring performance that’s up to 4x faster than Adobe Lightroom.

Edit and perfect one or thousands of photos with powerful batch processing controls and presets that let you quickly bring out the best in every image. AfterShot Pro integrates well with Photoshop.

Protect and promote your work with versatile Watermarking features. Deter unauthorized copying, brand your photos with your logo or contact info, or add text and graphics. Apply watermarks to individual photos or batches, and easily adjust size, rotation, position, transparency and more.

Regain more of the detail and tone from your overexposed photos with enhanced Highlight Recovery. Powered by a new algorithm, this feature lets you access more of the data in your RAW files for superior image quality. The new Blemish Remover offers circle, brush, polygon and freehand tools for detailed editing, making portrait editing faster and easier. Remove dust, spots, smudges and a variety of imperfections on any photo. Now it’s easier to tap into the power of presets to automate more of your repetitive processing jobs or quickly reproduce a look that would otherwise be tedious to replicate.

Make and share your own lens corrections—ideal for photographers working with rare, unique or spanking new glass. Simply follow the instructions , save your correction, then load it into AfterShot Pro 3—or share online. Update to AfterShot Pro 3 for new, sought-after lens corrections that build on the hundreds of lenses already supported by AfterShot to quickly correct the different types of distortion introduced by various lenses. Join the AfterShot Pro community on Facebook to discover when new lens corrections are posted or to share your own.

Share your plugins freely with the AfterShot community, or work with Corel to sell them. We’re committed to constantly delivering support for today’s most popular, powerful and creative cameras, including professional DSLRs, flexible and high-quality mirrorless cameras, and many more.

Simply browse and download directly from AfterShot Pro 3. Don’t see a camera you want? Hit the ‘feedback’ button and log your request directly to the AfterShot Pro development team. AfterShot Pro wants you! Corel has built AfterShot Pro to give you, the photographer, control, letting you make you own plugins, lens corrections and presets. Now a new feedback loop makes it easier for you to send your ideas and requests to the Corel Photo team–better helping us to meet your needs. Simply click ‘feedback’ and send us your comments.

Linux users can download new Camera Profiles, Presets and Plugins here. Easily make adjustments to multiple versions of your master photo without ever changing your original file.

Apply adjustments exactly where you want them with unique Layers and Regions capabilities that isolate precise areas of your photo for adjustment.

Recreate the look of a high-end camera lens and make objects within an image ‘pop’ by bringing out the texture and dimension in your photos. Combine multiple exposures to create a single, stunning HDR photo. Optimize your images with Athentech Imaging Noise Removal. This award-winning technology automatically adjusts lighting for every pixel in a shot while maintaining true color and zero clipping. Easily change the AfterShot Pro workspace any time to suit your task.

Hide or show the Thumbnail, Preview, Browse and Tools panel. Adjust everything from the overall color intensity for the entire image to the intensity of any single color. Take charge of your photos with extensive photo management support that lets you quickly organize your existing photos, and easily add new ones or catalogs any time. Powerful search tools, star ratings and other management tools let you quickly find photos even in very large collections.

Finding the right photo in a collection of hundreds or thousands is fast with powerful Metadata tools. Add your own searchable keywords, ratings, tags and labels. Or search by camera-written data like date, camera type, settings, aperture and more. Unlike other workflow tools, AfterShot Pro 2 does not force you to import your images into a catalog just to work with them. Easily access your photos in existing folders, on a network or on a memory card.

If you wish, try catalogs to take advantage of powerful digital asset management tools to organize your collection as it grows.

Quickly create a web gallery to share your images online with friends, colleagues or clients. Choose from various gallery styles to control how your photos are displayed. Take advantage of presets or custom settings, and easily set up batches for Web, print, galleries or easy backup. Get more processing power, remove memory limitations and work with much larger images, including files of up to Megapixels in size and TIFF format files larger than 30 MB with AfterShot Pro’s bit architecture.

Access more memory, and get more stability and responsiveness app-wide. Depending on the graphics card and your computer system, the results can be dramatic. Give it try to see what OpenCL can do for you. Download PDF. Unlike Lightroom, AfterShot Pro doesn’t force you to import your images into a catalog.

 

Logiciel nikon camera control pro 2 free.RAW Photo Editor

 
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