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Using logic pro x for live performance free
This is one of the reasons I couldn’t have a single project for multiple songs. But once you get used to doing it it becomes pretty simple. I just downloaded the free 30 day demo to my old i7 laptop. Had to remove some old VSTs that crashed during validation. AUs passed fine. First impressions, after 1 hour MIDI only use: Very different workflow seems well thought out and geared for speedy entry.
Ex: hover pointer over track to “audition” it to live midi input. Also appreciate that there is a visual metronome option, rather shocking flashing light. Logic ProX also has key commands for “select projects” for all open projects if you open more at once, i will try OnStageX if single-project approach proves to be unreliable. Just got back to this lively discussion and took a look.
The version from Zenaud. Maybe you had an old version. There is now ‘scripted tempo automation’ for pre programmed tempo changes? While briefly testing I even accidentally changed tempo with a live cc input. There are a few limitations for me, since I do use sculpture for a few live sounds which means i’m confined to either logic or mainstage or running one of those in background.
I’m hoping it integrates well with mainstage. Will try some of that tomorrow. Here is a zenaud. You can post now and register later. If you have an account, sign in now to post with your account.
Restore formatting. Only 75 emoji are allowed. Display as a link instead. Clear editor. Upload or insert images from URL. By NoPro , 4 hours ago in Logic Pro. Share More sharing options Followers 1. Reply to this topic Start new topic. Prev 1 2 Next Page 1 of 2. Recommended Posts. Ploki Posted August 2, Posted August 2, I also use electric bass – same question, audio track with live input or Aux track?
Link to comment Share on other sites More sharing options Ploki Posted August 3, Posted August 3, Ain’t that convenient. That way i just need to hit “play”, and i can rearrange setlist with arrangement track easily. Edit: oh wait now that won,t work, but rearranging regions with goto markers would work like you described in the other thread actually if i lock the “go to marker” tracker, i can lock it so it keeps in place and still use arrangement Ploki Posted August 4, Posted August 4, David Nahmani Posted August 4, Ploki Posted August 5, Posted August 5, Make sure that Cycle mode is turned off click the Cycle button in the Control Bar and the project playhead in the Tracks area is positioned where you want to start recording your Live Loops performance.
Click the Record button in the control bar or press R to start recording. Start playing scenes, cells, or a combination of both. If you queue cells or scenes before clicking the Record button, they will start playing when recording starts. Click the Stop button in the control bar or press the Space bar to stop recording.
So, that’s why in this article we’re covering the best free auto tune plugins available in Autotune logic pro x plugin free made sure to include the most feature rich free autotune plugins, and a wide range of options for both Mac and Windows users.
Whatever your pitch correction needs are, you’ll leave this article with a free autotune plugin that will help you achieve what you need. Autotune is an effect that’s used to correct out of key vocal takes, and was invented by Antares in Since then Antares have trademarked the Autotune name, but there are many other pitch correction tools out there that do the same thing.
You can get some pretty great free and paid pitch correction plugins that will do a similar thing to the original Antares Autotune. And, most will give you that hard-tuned sound you’re looking for. Autotune is best used on vocals, but you can use it on instrument takes, and in sound design for autotune logic pro x plugin free awesome creative possibilities. Autotune is a live pitch correction for an audio signal of your choice.
It’s commonly used on vocals to get a pitch perfect sound, but can be used on a number of instruments, melodies or chords. It’s a mixing tool that helps to even out recordings that aren’t entirely in key, by pitch shifting them in real-time.
This is the most common use for autotune, but isn’t the only area you will see it getting used. You can find autotune being used on Indie music, Rock, RnB, Pop and so many other genres, because it’s autotune logic pro x plugin free extremely useful tool.
Autotune is used to put out of key performances in the right key, by pitch shifting in real-time. Free autotune plugins are great, and they will cover your basic needs. If you want a hard-tuned sound, then you’ll be fine with any free autotune plugin. However, if you want more transparent vocal correction, you’ll need to invest in a paid plugin like Melodyne or Autotune.
The top 3 plugins on this list are great at pitch detection as you’ll hear when you hear my terrible signing in the examplesautotune logic pro x plugin free work perfectly for a hard-tuned and even transparent sound. Some of the plugins below number 3, will start to get the pitch detection wrong, and the controls won’t be as useful. If you want greater control over your vocal editing, it’s best to invest in something like Melodyne or Autotune.
These will allow you to change the pitch of individual notes using a MIDI roll, completely change a sample’s key, change the time, and even detect and remove sibilances. A paid autotune plugin is going to be much, much better for professionals. Here’s the complete list of the best free autotune VST plugins updated for For more software goodies, check out our huge list of free vst plugins.
There are also a tonne of controls for Graillon 2 that you can use to effortlessly fine tune your vocal sound further. For instance, if you wanted more accurate results, you could lock Graillon 2 to a particular set of notes, or scale. You could also use the formant shifting to preserve the original tone of your performance, while still transposing it. Whether you want to make throat like, robotic sounds, enrich a vocal performance, or even use it for sound design on instruments — Graillon 2 can do it all.
It can also apply subtle autotune to help slightly out of key signers remain in key, sounding fairly natural. Unlike the other free autotune plugins, Voloco is also available on iOS and adds a bit more than just autotune to your audio signal in the app. It can be useful to get the app because there’s a lot more options creatively, and you can save audio from it, then airdrop it to your Autotune logic pro x plugin free for editing later. It’s not the best free autotune VST, but Voloco is definitely worth downloading for creative purposes, rather than clinical mixing alterations.
You can download it from the Voloco website. Voloco is fantastic for hard tuning effects, but doesn’t do too well on the natural tuning side. You have multiple settings on Voloco you can choose from including a Vocoder, Hard Tune, and even an Alien Voice setting.
Using logic pro x for live performance free.Get Ready to Perform Live (Logic Pro X to MainStage)
Link to comment Share on other sites More sharing options Ploki Posted August 3, Posted August 3, Ain’t that convenient. That way i just need to hit “play”, and i can rearrange setlist with arrangement track easily. Edit: oh wait now that won,t work, but rearranging regions with goto markers would work like you described in the other thread actually if i lock the “go to marker” tracker, i can lock it so it keeps in place and still use arrangement Ploki Posted August 4, Posted August 4, David Nahmani Posted August 4, Ploki Posted August 5, Posted August 5, Dragonwind Posted August 7, Posted August 7, This is what you are after.
So either way I’m not sure what the benefit really is. Load times in logic are not long. If they are you need to rethink your live set. Sure it takes a bit of work to make the transfer but it is rock solid. Songs are accessible either from an array of clickable tiles, a menu or a programmable set list with a “next song” button, all of which then route the SPD notes which are always the same to the correct EXS keys.
So no loading times, instant access to all songs and still a set list to gaze at when being bored in the second verse. End the end we all could make it work one way or the other. Here are a couple of posts I’ve made about how I use it viewtopic. Was definitely a night for the stoners that one, they loved it lol.
Mark R Posted August 7, Has anyone here tried out the looping sequencer ALK by Zenaud. Mark R Posted August 8, Posted August 8, This is the sort of thing that Apple should by and integrate in to Logic.
Ploki Posted August 8, I’ve tried ALK, i didn’t find it intuitive, and it fails at tempo changes which i have – a lot.
Avoid having more than one Logic project open. Nasty stuff happens, like plugin parameters get confused between projects. Posted August 9, Hopefully logic or mainstage will be able to do this in the future. My Studio. I’m having to figure this same thing out for a TV gig. I want to use a vocal fx chain off of my rig while they run stems You have to see MS as a big synth workstation that you can route external stuff in it but there is nothing to playback automation to my knowledge.
I don’t see why Logic wouldn’t work. But with Logic, you’d have to load a new project before each new song. MS loads all its settings on startup, so everything’s available instantly. The biggest issue with logic in a live setting is that you have to make the tracks you want to play live If you have multiple songs with multiple tracks you have to remember to put the tracks in live mode every time you start a song.
Other than that I find logic usable for live applications. I usually turnoff the track so that I can still see the midi events to remember passages, changes etc. Anything you make “live” whether via record arming or live input arming will stay on one core unless specifically implemented otherwise by devs.
What the OP seems to be asking for is a sequencer to run alongside Mainstage, as mainstage lacks the timeline that Logic has. There are many 3rd party sequencers out there that will happily run midi only alongside mainstage, and Logic may also be used this way.
The problem imo with Logic is that it’s built for efficiency and thus getting your midi to run realtime requires the same ‘live’ arming tricks mentioned above so it’s in sync with the core audio buffersize rather than the ‘mix’ buffer setting in Logic.
Hey Any hiccups to be prepared for? Live to TV feed The show will run stems and I will be running live vocal fx pulled from the original production..
My thought is to be sent the live vocal from them on an AUX. I can just send them all the effect on a stereo channel and they can control the overall output. Though it’s a heavy fx chain, it’s still not intense compared to running soft synths.. Or are there any latency concerns?
Not that this would happen Your best bet would be to try it a few days before hand. I have had a few glitches with the Playback engine in MS but that was probably user error. You can download it from the Voloco website. Voloco is fantastic for hard tuning effects, but doesn’t do too well on the natural tuning side.
You have multiple settings on Voloco you can choose from including a Vocoder, Hard Tune, and even an Alien Voice setting. Check out our full, in-depth review of MAutoPitch for a bigger overview of why it’s so good. Even though autotune logic pro x plugin free placed it 3rd, don’t let that fool you. MAutoPitch is an extremely capable autotune VST plugin, offering almost the exact same pitch correction features as Graillon 2, but with a bit extra included.
But, it’s a pain to install. It’s actually more of an annoying process to remove the plugins you don’t want, and then you’ve got the added extra MAudio bloatware that’s mb of space. If you do want the full suite, a lot of the MeldaProduction range are extremely good free plugins that can help improve your mixes. But, a lot of the time, having that many plugins, just gets in the way of what you’re supposed to be doing — making music.
Formants shifting is a pretty wicked feature that MAutoPitch has over Graillon 2. If you alter this too much though, it will sound plain awful. Pick it up this free pitch correction device, from MeldaProduction’s website as part of their 37 free creative FX plugins pack. MAutoPitch is great at both hard tuning autotune logic pro x plugin free natural autotune sound.
It’s also pretty great at picking up the pitch and correcting it properly. Not all free autotune plugins are as good at this, and can often reassign notes wrongly.
Here is a before an after sound example of MAutoPitch free autotune plugin:. Imagine a scenario where you want to auto tune the vocalist, but you’re not sure what key you need to be locked into, or when you choose a scale — it just sounds a bit off. Unlike the other free autotune plugins on this list, it shows you how much it’s correcting the notes by. But unfortunately, it doesn’t have any option for formant shifting, or preserving the quality through formants.
One thing that GSnap does have, that the others don’t, is a vibrato control. This can be pretty cool if used correctly in certain situations. GSnap is a great pitch correction VST to try out and add to your collection. GSnap isn’t as good at detecting pitch as the others on this list, and often corrects things out of key. Sound as big as you want with backing tracks.
And use all your favorite hardware controllers. Take your performance beyond what you can actually perform. The Arpeggiator features note-based remote controls and flexible latch modes. And Chord Trigger allows you to press a single note and have it trigger an entire complex chord. With Multimapping, you can map multiple parameters to a single control, so you can smoothly manipulate your sound without trying to turn several knobs at once.
And seamless Patch switching lets you hold a chord in one sound while moving to a new Patch. Alchemy brings epic sound that rivals the best hardware keyboards to the stage — with a massive collection of presets and real-time morphing controls at your fingertips. Learn more about Alchemy. Seamless Patch switching lets notes and chords trail off naturally when you switch Patches.
And MainStage supports a wide range of popular MIDI foot controllers, which lets you operate the Pedalboard, wah, rotary speaker effects, or any other effect plug-ins — hands-free. MainStage lets you stay focused on your performance. Keep your hands free by using foot pedals to control the effects you add to your voice. And display large, high-contrast notes such as lyrics and chord changes on your screen. So all you have to think about is singing.
Love the sound you got on your recording? MainStage makes it easy to bring all the same instruments and effects to the stage. You can even expand your show with prerecorded backing tracks. With Mac as the core of your live rig, setup is faster, teardown is faster, and everything in between is more reliable.
And you can easily use your favorite hardware to control every nuance of your performance. The MainStage and Smart Controls interface is designed especially for live performance. You get a full-screen, high-contrast, and high-resolution Retina display—supported view of your controls, so they stand out from across the stage.
One moment, please
Turn your Mac into a live rig. Transform your keyboard, guitar, or vocal performance with an enormous collection of plug-ins and sounds. MainStage has something for every kind of performer. You can use all your favorite instrument and effect plug-ins from Logic Pro. Simplify setup and teardown. Sound as big as you want with backing tracks. And use all your favorite hardware controllers. Take your performance beyond what you can actually perform.
The Arpeggiator features note-based remote controls and flexible latch modes. And Chord Trigger allows you to press a single note and have it trigger an entire complex chord. With Multimapping, you can map multiple parameters to a single control, so you can smoothly manipulate your sound without trying to turn several knobs at once. And seamless Patch switching lets you hold a chord in one sound while moving to a new Patch.
Alchemy brings epic sound that rivals the best hardware keyboards to the stage — with a massive collection of presets and real-time morphing controls at your fingertips. Learn more about Alchemy. Seamless Patch switching lets notes and chords trail off naturally when you switch Patches. And MainStage supports a wide range of popular MIDI foot controllers, which lets you operate the Pedalboard, wah, rotary speaker effects, or any other effect plug-ins — hands-free.
MainStage lets you stay focused on your performance. Keep your hands free by using foot pedals to control the effects you add to your voice. And display large, high-contrast notes such as lyrics and chord changes on your screen. So all you have to think about is singing. Love the sound you got on your recording? MainStage makes it easy to bring all the same instruments and effects to the stage.
You can even expand your show with prerecorded backing tracks. With Mac as the core of your live rig, setup is faster, teardown is faster, and everything in between is more reliable. And you can easily use your favorite hardware to control every nuance of your performance. The MainStage and Smart Controls interface is designed especially for live performance.
You get a full-screen, high-contrast, and high-resolution Retina display—supported view of your controls, so they stand out from across the stage. And you can set things up so each control is linked to a different parameter in each Patch. With just the controls you need onscreen for your song, you’ll never have to hunt for the right knob. With MainStage, setting up your stage rig is faster than ever.
Start by choosing from a complete range of performance templates, many of them preloaded with great-sounding Patches. Or look to the Patch Library to find a Patch or sound ready to be tweaked to perfection. Just save your live set as a project and MainStage puts all the necessary files into a single folder you can take with you anywhere. MainStage supports your addiction to knobs, buttons, and faders. It can connect with just about any external MIDI device on the planet.
And the interface is simplicity itself. No more assigning knobs over and over for each preset. MainStage also features pickup modes that make fixed controller knobs behave more like the endless encoder knobs found on high-end gear.
If your control surface can receive status information from software, MainStage will send MIDI messages to keep your control displays in perfect sync. MainStage lets you record any audio signal passing through. MainStage turns your Mac into a musical instrument, voice processor, or guitar rig, so you can get studio-level sound on stage — without all the extra equipment. MainStage gives you an easy-to-understand view of your sounds with a customizable layout that displays exactly what you need for your live performance, minus the clutter of dozens of plug-ins and small mouse-operated controls.
You can use the knobs on your keyboard to remote control the sounds in MainStage — so your performances can be faster, smoother, and easier. Creating sounds with your Mac is so much simpler than relying on all kinds of external gear. Instead of squinting at tiny hardware displays, you get a bright, full-screen view that makes everything easy to tweak. You can also combine any sounds you like — even software and hardware sounds — in one Patch. Multimapping allows one knob to control multiple plug-in parameters, so you can dramatically change your sound with the turn of a single knob.
And the Patch List editor gives you the flexibility to rearrange or skip Patches as your set list evolves. And features in the Mixer make it easier to open, close, bypass, or reorder plug-ins.
No need to reach for a modifier key. Auto Sampler quickly and easily transforms your hardware synths into sampled instruments that you can play from your Mac. Your keyboard rig just got a whole lot simpler to set up and manage. The single-window design is backward compatible with all EXS24 files, making it easier than ever to perform with sampler instruments.
An expanded synthesis section with sound-shaping controls brings more depth and dynamics to your instruments, while the reimagined mapping editor adds powerful, time-saving features. And instantly build sophisticated instruments using new drag-and-drop hot zones. Grouped Controls let you drag and drop entire sets of knobs, buttons, faders, meters, and more into your layout. From there, you can easily customize the number, type, size, and color of all your controls.
You can even decide what each control does for each Patch. Alignment guides snap everything into place. And Lift and Stamp features let you quickly copy characteristics from one layout and apply them to another. You can save parts of your layouts as Grouped Controls and reuse them in other layouts.
And put your Patches in any order and change them on a whim. Synths look like synths and Vintage B3 Patches bring up organ drawbars. That means everything you need perform is right on your Mac, giving you total control. Each Patch works as a self-contained audio mixer and router, so you can have total control over each sound. One minute you can be playing heavily distorted guitar with a full backing band.
And the next you can be creating bass loops with an external synth against an Ultrabeat drum pattern. Buy MainStage now. Buy education bundle now.
Buy Buy. MainStage Sound as great on stage as you do in the studio. The right rig for every kind of performer. Your dream gig awaits. One monster synth. Get virtually any sound, with virtually no gear. Do it all — and keep right on singing. The total performance package. Amazingly simple setup. Use your favorite hardware. Capture your performance. Follow the music from the studio to the stage. Edit your sounds quickly and easily.
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Using logic pro x for live performance free.How to perform with Live Loops in Logic Pro X 10.5
Remember Me? The No. Today’s Posts competitions support us FAQ advertise our advertisers newsletter. When you buy products through links across our site, we may earn an affiliate commission. Learn more. Hi everyone, I’ve been playing live with my Originals band for a couple of years now and we’ve got quite a Synthy sound to us so we run backing tracks live – as well as, live guitar, bass, drums, and keys.
The backing track stuff was super new for us when we started and I ended up just settling on Logic Sessions with 8 tracks Drums, Bass, Risers, Percussion, Backings etc. I’ve set all our live songs up in one big Logic timeline and just use markers and arraignment to move songs on the fly for setlists or change of mood.
I tried messing around with Mainstage and triggering on SPDs and such, but I got super frustrated with a bunch of things. This included not having the ability to scrub through tracks – so in rehearsals if we want to nail one part, we couldnt just jump to that section. Another was the ability to control individual tracks for levelling and mix purposes. I’ve also got a little Midi Mixer via USB to move any volume things on the fly on stage whilst im playing guitar.
Are there other programs out there that can offer me the same versatility without clogging up a session? Is there a better way to run my sessions in Logic so I can chop and change songs? I’d love to know what solutions there might be out there, as I’m pretty amateur with this backing track stuff.
Attached Thumbnails. Have you looked at Mainstage? Think it’s exactly what you’re looking for. Here’s a link showing the integration between it and Logic X. You can export wav files from Logic and import them in Multitracker. There you can adjust volumes of the tracks, move the playhead, make playlists or load the songs via Midi Prg changes.
If you own a multichannel USB audio interface, you can assign the tracks to the outputs as you like I use Logic for my live backing tracks, placing the tracks for each song in a track stack folder , which I then collapse, so you only see the track stack header. These are arranged sequentially along the time-line, but because they are on different tracks, I can re-arrange the set list by simply dragging the stacks around till you get them in the order you want.
I then set the play button in the transport to ‘play from selected section’. I then highlight the header of the first song stack that I want to perform and hit play the playhead automatically jumps to the right place.
I’ve placed a ‘stop playback’ midi command at the end of each song, which means does exactly what it says, so that when I’m ready to play the next song, I simply hit the down arrow, highlighting the next stack header and hit play again. My arrange window looks like this below. Happy to explain further, if you require – it works really well for me. I also have midi cc and pc programmed in for each song, included in each stack, to automate my fx and amp switching and light show.
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